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paradoxau
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[*] posted on 20-7-2012 at 10:00 AM


Quote: Originally posted by aussieozborn  
knowing musical scales helps fit samples together a fuckload :)


i wouldnt know what scales were :embarassed:




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Gex
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[*] posted on 20-7-2012 at 10:03 AM


Yo mec time stretch is pretty shit. It's better to pitch then chop samples.
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Mec-Omega
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[*] posted on 20-7-2012 at 10:30 AM


Cheers Gex...do you mean, adjust the pitch of the entire sample track, rather than cutting a slice and then pitching? Im a self-taught invalid with FL n barely understand the basics...step sequencer, piano roll, playlist, and i can utilise most plugins, but in terms of the process, im more than likely a little backwards in my approach, unorthodox to say the least...n before anyone starts putting shit on FL, get fucked; its epic!!!
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paradoxau
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[*] posted on 20-7-2012 at 10:36 AM


Quote: Originally posted by Mec-Omega  
Its not the scales im having issues with...im using fruity slicex to take specific pieces of shit, put i have to stretch shit out once i paste to the playlist, otherwise i wont have a loop...some paste objects wont fit with others after i have stretched and adjusted tempo...cant win at eveyr turn...its like im lucky if i can slice more than 1 sample and have them working together...


hey man, got a few FL pointers i figured out while using the program.

dont use slice x. anything that chops your samples means your not using your ears.......right click a sample and click edit, it opens up edison, you only need to highlight the chop you want to make then on the far right in edison, there is a drop and drag feature.

Open up FPC (a pad simulation thing) and edison together, highlight chop in edison, use drop and drag feature and drop it on a pad in FPC - now you get ADSR control as well as pitch and layer. you'll only need to assign each pad to a suitable key on a keyboard or whatever.

You can set the pads to cut each other off here too.

id say load up the samples you want in FPC, play with pitch, play with your adsr settings until they sound right together, then RECORD in your chop playing, dont paste them in the playlist.

you can always move recorded midi data after, but this way your dealing with midi not audio and it becomes non destructive.







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[*] posted on 20-7-2012 at 10:37 AM


I never used fl But say you have a drum loop or programmed drums going 88bpm and you have a piano loop going at 108bpm if you slow it down 4 semitones (1semitone = 5bpm aprox) it will be roughly in time. Then I'd chop the piano notes so I had more control. Keep the pitching to semitones though cos otherwise when you go to play bass or whatever it will be out of tune.
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[*] posted on 20-7-2012 at 10:52 AM


Cheers for the pointers brethren...:D...I wish i could shout bongs interstate
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[*] posted on 20-7-2012 at 10:56 AM


I've sampled Impeach the President by the Honey Drippers and have a pretty nice working loop...and Eddie Bo - Hook and Sling...they're both workable and audibly aesthetic with lyrics on em
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[*] posted on 20-7-2012 at 11:13 AM


The other thing is the ultimate beats are really a starting point there all really well known and used samples so if you pitch stuff up and down you won't have ppl re ignoring them as much.
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[*] posted on 20-7-2012 at 11:19 AM


When does copyright impeach occur when it comes to sampling?
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[*] posted on 20-7-2012 at 11:27 AM


I wouldnt worry about it man. Not really a problem until your selling 5 thousand discs or whatever.
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[*] posted on 20-7-2012 at 12:02 PM


lolz tru
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[*] posted on 20-7-2012 at 12:41 PM


Thanks for all the tips - Bipola, Gex, Paradoxau n Oz - Employed a few of the new techniques and yer...sampled a few tracks and have more than 1 sample working in the loop...Reckon i should keep working with this one or scrap it?



Cheers for the help SPAM THREAD!!!
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[*] posted on 20-7-2012 at 12:42 PM


haha dopeish
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[*] posted on 20-7-2012 at 01:00 PM


pitch in the second half of the loop doesnt want to fit. Tempo and pitch are a fucked up couple who smash each other when they drunk together at parties
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[*] posted on 20-7-2012 at 01:52 PM


Do you reckon this sounds better?

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[*] posted on 20-7-2012 at 04:09 PM


It needs to go:


BUUNNGBWOOWWOWWOOOOOOOWWWWWW"BUUNNGBWOOWWOWWOOOOOOOWWWWWW"BUUNNGBWOOWWOWWOOOOOOOWWWWWW"
BBAAAAALLLLOOOWOOOWOOOWOOOOWWWLLLLLLLLLLLLLLL....

hope that helps


1st one's better
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[*] posted on 20-7-2012 at 04:25 PM


haha...bass or reverb kick? this technical jargon i cant understand...i bought some Bundy tho

I think i can work that through parametric eq

[Edited on 20-7-2012 by Mec-Omega]
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[*] posted on 20-7-2012 at 04:44 PM


Needs more synth & rap hands
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[*] posted on 20-7-2012 at 04:47 PM


Why dont we say 'LYRICAL' in rhymes anymore?
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[*] posted on 20-7-2012 at 04:50 PM


Quote: Originally posted by WeeBee  
Needs more synth & rap hands


Yeh definitely needs lots...my main concern was the time stretching. That and the pitch...is the loop smooth enough though? Does the pitch transition of the synth *sound off-putting, or does it sound ok?

I'll give the fucker steroids tho bruz...

EDIT*

[Edited on 20-7-2012 by Mec-Omega]
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[*] posted on 20-7-2012 at 04:56 PM




:)




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[*] posted on 20-7-2012 at 05:54 PM


Quote: Originally posted by Mec-Omega  
Quote: Originally posted by WeeBee  
Needs more synth & rap hands


Yeh definitely needs lots...my main concern was the time stretching. That and the pitch...is the loop smooth enough though? Does the pitch transition of the synth *sound off-putting, or does it sound ok?

I'll give the fucker steroids tho bruz...

EDIT*

[Edited on 20-7-2012 by Mec-Omega]


it's better than aussies
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Mec-Omega
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[*] posted on 20-7-2012 at 06:10 PM


Mad stuff Mr OZBORN
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PatosBreegz
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[*] posted on 21-7-2012 at 04:54 AM


Im blind

That is all




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[*] posted on 21-7-2012 at 09:53 AM


Sorry Oz, i only just realised u were try'na show me phase cancellation...i want to cut the vocals out all together n have just the vocals, or just the instrumental. Thnx mate!
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